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North West Bylines
Home Lifestyle TV, Film and Theatre

Arts and entertainment are important for everyone, but rising prices are a problem

A reflection on our arts, culture and entertainment, and the challenges to society caused by rising ticket prices

Christopher Lee-Power by Christopher Lee-Power
26-01-2026 07:05
in TV, Film and Theatre
Reading Time: 4 mins read
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two men dressed up, one as judge, the other in suit with a flower in his buttonhole

Christopher Lee-Power as Brian Leveson and Adam Titchmarsh as Ken Dodd in Happiness-The Ken Dodd Story. Picture provided by Christopher Lee-Power

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Birkenhead, UK – Actor Christopher Lee–Power reflects on how arts, entertainment, and technology have shaped cultural experiences over the decades and raises concerns about the impact of rising ticket prices on society’s access to cinema and theatre.

Lee-Power grew up surrounded by arts

“Growing up in Birkenhead in the 70s and 80s, weekends were defined by moments of joy and escapism,” Lee-Power begins. “I used to enjoy watching my mum and dad – my mother a country and western singer, my dad a compère – performing songs around the house.”

Cinema was central to these experiences. “The architecture of the big cinemas was breathtaking – soaring screens, ornate interiors, and a real sense of occasion. Then came the Pearl & Dean adverts with that iconic opening jingle, signalling that the film was about to start and building anticipation. And of course the cinema usher during the interval, walking down the aisle with ice creams and drinks – those details made it magical and unforgettable.” Iconic films like Superman, Star Wars, Jaws and Indiana Jones captivated audiences across the UK.

Playing games, watching Top of the Pops

“As young people, we didn’t just consume entertainment – we made our own,” Lee-Power adds. “Whether that was sitting around the house playing Monopoly or cards, riding bikes, or fashioning rope swings from tree branches in the park – health and safety never got in the way of our imagination – we found ways to entertain ourselves.”

The 1980s brought a cultural explosion through music and technology. Lee–Power fondly remembers sitting down to Top of the Pops and watching artists he loved: synth-pop pioneers such as the Pet Shop Boys, Soft Cell, Depeche Mode, Human League, and Duran Duran. “These artists defined a generation, with brilliant videos, bold fashion, and fresh sounds. The music was part of the energy of the decade – and the technology of the time, from cassettes and Walkmans to CDs and colour TV, made it even more exciting.”

Ticket prices nowadays prevent people from enjoying the arts

While celebrating this cultural heritage, Lee-Power issues a frank challenge: “If we want to make cinema and theatre more accessible, we need to look at ticket prices. While I understand that everyone involved needs to be paid and that there are costs, prices have risen to the point where families or people struggling financially may feel excluded. Making tickets more affordable will not only bring more people in but allow them to lose themselves in the magic of stories and performances. The public pays to see our work on whatever platform that may be, and we need the public because they are the ones supporting the industry. My challenge today is to everyone in the industry – from cinema operators and theatre owners to producers and policymakers – to consider how we can make ticket prices more accessible. By lowering prices and opening doors to more people, we’ll revive and strengthen the cultural life that so many love.”

Lee-Power stresses, “Art moves us. It inspires, it challenges us, and it can change the way we see the world. Whether through cinema, theatre, books, radio or music, art awakens emotions, fosters imagination, and for many of us, has transformed our lives. If we ensure access for all, that power will continue to thrive.”

From grand cinemas and colourful theatre stages to the unforgettable sounds of the 80s and booming digital platforms today, Christopher Lee-Power honours the past while urging action to secure a more inclusive cultural future.

What is Lee-Power up to at the moment? 

Christopher Lee-Power has an exciting year ahead: his next film The Death of Michael Myers, in which he plays Dr. Langford, is coming out this year. He will also appear as Kenny in Under the Mersey Moon at the Floral Pavilion on 14-15 February, and will perform in Porridge, based on the BBC version, in March.


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Christopher Lee-Power

Christopher Lee-Power

Christopher Lee-Power is a versatile actor with a rich background in both stage and screen. A graduate of Richmond Drama School with an Oxford Diploma in Acting, he further refined his skills at the prestigious RADA, as well as training under esteemed acting coach Derek Barr. Christopher’s recent screen roles include portraying Tony in Our County and taking on the character of The Maker in The Island at the Floral Pavilion. He also brought to life Brian Leveson QC in Happiness – The Ken Dodd Story and played the General in the World War I drama One Night, directed by BAFTA-winning filmmaker Christopher Swann. His theatrical career spans a broad spectrum of genres, from the classics of Shakespeare, Chekhov, and Brecht, to contemporary works. Known for his commanding presence, Christopher frequently takes on authoritative roles, such as detectives, lawyers, and MPs. His television credits include appearances on major networks like BBC, ITV, Channel 4, Sky, and Amazon Prime. Christopher is also part of Great British Speakers: https://greatbritishspeakers.co.uk/talents/christopher-lee-power-speaker/

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